Monstranca od srebra, pozlaćena. Majstor CF ili GF.
// Baza u obliku izduženog četverolista s plitkim užljebljenjima, ukrašena motivima akantusovih listova i cvjetnih glavica. Nodus kruškolik, ornamentiran cizeliranjem te apliciranim anđelima. Ostenzorij ovalan, uokviren vijencem baroknih oblaka, te motivom anđeoskih glavica. Gornji dio okružuju zrake svjetlosti s raspelom na vrhu.
Pokaznica karakteristično baroknog oblikovanja puncirana je djelomično nejasnim žigom majstora Corneliusa Poppea, koji 1685. postaje majstorom i radi do 1723. Prema gradskom žigu možemo ju datirati u period 1692. - 1700.
Pripadala je zbirci Jakoba Franka, koja je za muzejski fundus otkupljena 1906.od njegovih nasljednika. • Base in the form of an elongated quatrefoil with shallow flutings, decorated with acanthus leaf and flower head motifs. the node is pear-shaped ornamented with chased and appliquéd angels. The ostensory is oval, framed with a wreath of Baroque clouds, and a motif of angel heads. The upper part is surrounded by rays of light with a crucifix at the top.
A monstrance of characteristic Baroque design, shaped with punching and a partially illegible mark of craftsman Cornelius Poppe, who became a master craftsman in 1685, and was at work until 1723. We can date it to the period 1692 – 1700 by city assay mark.
It once belonged to the Jakob Frank Collection, which was bought for the museum’s holdings in 1906 by his heirs.
