Monstranca od srebra, pozlaćena. Majstor CF ili GF.
// Baza u obliku izduženog četverolista s plitkim užljebljenjima, ukrašena motivima akantusovih listova i cvjetnih glavica. Nodus kruškolik, ornamentiran cizeliranjem te apliciranim anđelima. Ostenzorij ovalan, uokviren vijencem baroknih oblaka, te motivom anđeoskih glavica. Gornji dio okružuju zrake svjetlosti s raspelom na vrhu.
Pokaznica karakteristično baroknog oblikovanja puncirana je djelomično nejasnim žigom majstora Corneliusa Poppea, koji 1685. postaje majstorom i radi do 1723. Prema gradskom žigu možemo ju datirati u period 1692. - 1700.
Pripadala je zbirci Jakoba Franka, koja je za muzejski fundus otkupljena 1906.od njegovih nasljednika. Base in the form of an elongated quatrefoil with shallow flutings, decorated with acanthus leaf and flower head motifs. the node is pear-shaped ornamented with chased and appliquéd angels. The ostensory is oval, framed with a wreath of Baroque clouds, and a motif of angel heads. The upper part is surrounded by rays of light with a crucifix at the top.
A monstrance of characteristic Baroque design, shaped with punching and a partially illegible mark of craftsman Cornelius Poppe, who became a master craftsman in 1685, and was at work until 1723. We can date it to the period 1692 – 1700 by city assay mark.
It once belonged to the Jakob Frank Collection, which was bought for the museum’s holdings in 1906 by his heirs.